And then there was Michelangelo’s David.
In a crowd of Japanese school children and a host of other tourists and visitors, I was completely overwhelmed, completely overcome.
For all the things going through my head in those moments and the hours since, I come back to this one thing: Michelangelo represents the humanism of the high Renaissance, and every first-year Humanities student can list the characteristics of this movement–the celebration of human achievement, for one.
But in trying to take in this astonishing feat of human achievement, I was struck–am struck–by the power of art to make us more human, to make us more fully what we are meant to be, to make us beautiful.
Much more needs to be said about this, for sure, and in contemplating the David all day, I am exhausted and bereft of words. But this at least:
We don’t take in a profound work of art in order to possess its beauty but rather that we might be possessed by beauty ourselves, that we might learn what it means to open our lives, individually and corporately, to the gift, the call, the joyful art of becoming beautiful.